Free Ebook , by Patrick W. Carr
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, by Patrick W. Carr
Free Ebook , by Patrick W. Carr
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Product details
File Size: 2030 KB
Print Length: 433 pages
Publisher: Bethany House Publishers (February 1, 2013)
Publication Date: February 1, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00AHY0RLQ
Text-to-Speech:
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Amazon Best Sellers Rank:
#200,469 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Patrick Carr is a good writer. His prose was good. His characters make important decisions. They go through transformation. They are unique.The book progressed leisurely. Actually, it started out painfully slow, sped up a little, then really got going at the halfway point. It wasn’t, like, Fellowship of the Ring slow. It just sort of—unlike my books—wasn’t in a rush to get anywhere. Right, epic fantasy.Overall, I really, really enjoyed this book. It’s the sort of book that you can enjoy without getting emotional scars (see: Game of Thrones). I read the last 20% or so in a long sitting, not wanting to go to bed until I was done. I don’t usually do that. A book has to be actually good to keep me up like that. Therefore, by logical induction, this book was actually good.I loved the magic system. There were no fireballs and magic missles, but there was a truly fascinating system of casting lots whereby gifted individuals could determine the answers to any question they could properly formulate. It’s a well balanced system—powerful, but not overwhelmingly powerful. Makes for very interesting situations.The driving force of the book was the question: “What’s going on?†If you like the kind of book that drags you along by giving little tidbits of information (but not the whole story), then this is the sort of book for you.Training montages were also fun.Ale, boy!Maybe this bothered me more as an author than it will other readers, but some of the language got on my nerves. For example, the word ale. The word “ale†appears like 86 times on every page.Now, this is one of the reasons why writing urban fantasy is more fun than writing epic fantasy: you have more words open to you. I can use words like “booze,†“hammered,†“smashed,†“beer,†and “Budweizer.†Epic fantasy authors are stuck with…ale. Occasionally wine.So, something else that bothered me was that the characters, at times, were stupid. Like, not normal stupid, but stupid like convenient-for-the-author stupid. The main character, after over and over again being told to keep something secret, when he knows that people are trying to kill him, tells his whole life story. Like, more than once.Overall, though, I liked the characters. Not amazing, but good. The main charater is super annoying at the beginning but later awesome. Other characters, though fairly flat, were that sort of…enjoyable flatness. You know, like Gimli.Without spoiling the ending, I’ll say that I was a little disappointed. A lot was left unresolved, and the book felt a little incomplete. However, it’s part of a series, so I just have to read on. But this one definitely felt like it ended a little early.Religious undertonesThe Christian undertones in this book were done well, which is something I rarely say. I mean, the undertones are pretty strong: truine God consisting of a Father, Son, and Holy Spirit. A sort of medieval Catholic theocratic church, complete with “arch benefice†(i.e. pope). Demon possession, communion, and monks.However, it was done well—a very rare thing and difficult to do. I have no reservations recommending this book to people of a variety of faith backgrounds. Which I don’t do for all Christian books, mind you—some make me weep.But Carr did it well. Some people in the church are corrupt and evil, others are sincere and loving. Bad things happen to good people, and good things happen to bad people. Kind of like real life. The sort of medieval Catholicism in this book actutally added some good flavor.
This is a well-written fantasy novel. The plot is interesting, and the fantasy world is carefully constructed and believable. The hero, Errol Stone, follows a somewhat stereotypical hero's quest, but with some unusual twists. When the story begins, he is the village drunk, pretty much wasting his life. But we soon learn that there is much more than meets the eye.The plot is complex with unexpected twists. The dialogue is good, and editorial problems are few. The supporting characters are well-defined.In fact, there is much to praise and little room for complaint. I only see two weaknesses. The plot bogs down, for me, in the middle. There seemed to be some repetitive events that did not advance the story very much. And the ending did not really resolve many of of the plot threads. Of course, there is a sequel, and that is to be expected. But a more satisfying conclusion would have been nice.
Mr. Carr did a good job of creating an alternate world within a world we all understand. I like that kind of fantasy. It’s sort of Piers Anthony without the slap-stick humor. The premise is – as is so often in fantasy novels because it works well – a run-of-mill village lad who turns out to be something else entirely, and the weight of the world falls on his shoulders. But the hero of this book is a little less than run-of-mill. It’s fun to read and watch as he develops into a character the reader can pull for, and speculate on just who he will turn out to be in the end. Which, of course, we don’t know as of the end of A Cast of Stones. One must continue the series with The Hero’s Lot to find the answer to that question. I’m looking forward to book two.
I thoroughly enjoyed this single-point-of-view tale. It begins with the introduction of a staggering drunk as the main character—a not entirely likable character, but the reader can sympathize with him—and journeys with him to his surprising new position in the world. This advancement doesn’t come to Errol Stone easily; he has physical and emotional demons to overcome while he’s being chased by poison- and blade-toting villains. He makes some incredible faux pas, and he also does exactly the opposite. There is a lot going on his world that he doesn’t know or understand. Carr handles the mystery well, and the reader learns as Errol learns. This doesn’t prevent the revelation of several subplots that keep the action and suspense going—and the story is wonderfully complex.The end is a little shaky, but not abysmal. It didn’t keep me from moving directly on to Book 2. The intriguing epilogue definitely helped in that respect.Criticisms? There are a few typos and confusions about direction, number, and who a character is talking to — enough to make me read the passages twice, but not enough (by any means) to ruin the story. The book does have a virulent case of Comma Splicing, which I find annoying in general but, again, not enough to ruin the story. And… naming conventions are inconsistent, with some taken straight from our world, some slightly modified (Morgols, Soedes, Basqu — and Finn Maccol), and some original. What was going on there? Did I miss something?Those nit-picking concerns aside, the book is a wonderful page-turner. Clean, gore-free (in spite of fight scenes), and an all-around good read.
Phenomenal book. It took some time to get into the character as it does with any new book and character, but the way the author builds the character and displays the depth of heart, pain, courage, passion, relationship, love, life, honor, value, and grace throughout this book is amazing. The story is incredibly crafted and outstandingly told. It also ends well but with room for more without leaving the reader feeling like he's only seen a part of the whole story. There is closure, and its a very good closure. Thank you Patrick for the gift of this book.
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